Summer of Sam (1999)
Directed by Spike Lee
Writing credits:
Victor Colicchio & Michael Imperioli
I am really NOT a fan of Spike Lee. In fact, in many ways, his
films turn me off. Not so, THE SUMMER OF SAM, which took me back
to that special decade in New York which was the 1970s, a decade
in which the innocence of 20th century Americans ended.
It was the decade that saw the evolution of hippyism into the
spiritualism that is the New Age. It was the decade of open sex
best opitimized by PLATO'S RETREAT. It was the decade of EST. It
was the decade of Jesus Freakism and Neo-Orthodoxy among Jews.
It was a decade of promise. But it was also the decade that saw
the eruption of violence during a summer blackout that paralyzed
New York City for the second time in 20 years. Unlike the first
New York City blackout in 1965 in which people drew closer together
in the spirit of cooperation, this 1977 blackout tore the city
apart with looting and mass hysteria. It was also the summer that
witnessed the craziness that was in the mind of David Berkowitz who
is forever engraved in the history of New York City as the Son of
Sam.
Spike Lee uses the murders commited by the Son of Sam as a background
to several stories about the lives of fictional New Yorkers which might
very well have been based on reality. David Berkowitz did more than
just end the lives of young people by bloodshed. He inspired a true
aura of paranoia in the City That Never Sleeps that drove many people
to act almost as out of control as he himself acted in his mad response
to a neighbor's dog who ordered him to kill.
The movie is not so much a story about Berkowitz, or even so much about
his victims (whose families feel victimized by this movie) as it is the
story of a group of friends, spouses, and lovers whose very
realtionships are torn apart by the murders. As if the afore-mentioned
violence were not enough, Lee adds sequences of rioting and looting
that was part of the summer blackout. For added spice, Lee also throws
into the brew a story based on a rumor that went around during that mad
time that the New York City Police Department secretly enlisted the aid
of the Brooklyn based Mafia to help them find the Son of Sam.
The re-enactment of the capture of Berkowitz by New York City's Finest
is very accurate as I persoanlly remember reading about it at the time.
The capture of David Berkowitz ended a nightmare for New York.
Dramatically, it helped bring the decade of the 1970s to a close. What
followed was the Reagan Era, ultra-conservatism, and AIDS, all of which
killed far more people in spirit as well as in body than the Son of Sam
ever could.
The direction and cinematography are adequate. The performances of the
actors is of a slightly higher degree, sufficient to make the film
interesting to watch. Regardless of the quality of the directing and
acting, the film is highly emotional, actually gripping, for anyone who
lived in New York City at that time and remembers it well. As a native
New Yorker, that means I qualify. Out of towners who were not so
closely involved with the Berkowitz madness may be less affected, and
the movie may not hold as great a fascination for them. I know many New
Yorkers who have refused to see the movie for the same reasons that
many World War Two vets refuse to see SAVING PRIVATE RYAN. They do not
wish to be vividly placed back into the situation.
Michael Badalucco, whom many know as "Jimmy" on the TV show, THE PRACTICE,
gives a fair performace in the role of David Berkowitz.
Cast:
John Leguizamo .... Vinny
Adrien Brody .... Ritchie
Mira Sorvino .... Dionna
Jennifer Esposito .... Ruby
Michael Rispoli .... Joe T
Saverio Guerra .... Woodstock
Brian Tarantina .... Bobby Del Fiore
Al Palagonia .... Anthony
Ken Garito .... Brian
Bebe Neuwirth .... Gloria
Patti LuPone .... Helen
Mike Starr (I) .... Eddie
Anthony LaPaglia .... Detective Lou
Petrocelli
Roger Guenveur Smith.... Detective Curt Atwater
Ben Gazzara .... Luigi
Michael Badalucco .... David Berkowitz
Also Known As: Son of Sam, The (1998) (USA working title).
Rated R for strong graphic violence and sexuality,
pervasive strong language and drug use.
Running time: 141 minutes.
Scarsdale, New York
9-6-99
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